Moebius 2007 - Panel from “Le Chasseur Déprime” Stardom Edition, Paris - 2008
“The quaint local customs doesn’t even interest me any more…”
The line-work in here is just jaw dropping— good lord.
(via theairtightgarage)
My art, my heart, sings.
Moebius 2007 - Panel from “Le Chasseur Déprime” Stardom Edition, Paris - 2008
“The quaint local customs doesn’t even interest me any more…”
The line-work in here is just jaw dropping— good lord.
(via theairtightgarage)
Source: orano
I’m going to be doing a summer correspondence course. The focus will be on advancing your understanding of layouts, color, contour line drawing, and printmaking for producing comic books. The 8-week class is $500. This class is limited: only ten students will be accepted.
Who the hell am I? I’ve been drawing comics since 1988 – and writing about comics since 1995. I’ve taught drawing at Parsons. My work has been exhibited at the American Academy of Arts and Letters in New York and the Carnegie Museum of Art in Pittsburgh. I have worked as an assistant to fine arts painters such as Francesco Clemente, Dorothea Rockburne and Gary Panter. Many of my paintings are in the collection of Bruno Bischofberger. My comic Storeyville is, allegedly, one of Chris Ware’s favorites. I’ve collaborated with Ben Jones. I was in a drawing contest against the French master Blutch – and it was deemed a tie! I have appeared in two volumes of Kramers Ergot. I am working with Dash Shaw on an animation project. I worked for the silkscreen wizard Frank Kozik. I am friends with Yuichi Yokoyama. I got into a yelling match with Brian Chippendale because I’m against photo-referencing. Jaime Hernandez taught me where all the freeways meet in Los Angeles. Gilbert Hernandez said my comic Pompeii was “pretty good”.
Application guidelines:
-3 figure drawings done on 3 x 5 index cards
-3 landscape drawings done on 3 x 5 index cards
-3 still life drawings done on 3 x 5 cards
-specific url links to any comics work you have done.
Applications due by June 1st. Email me - capneasyATgmailDOTcom - and I will send you an invite to the course blog so you see what it’s like. Check out my “Layout Workbook” series over at The Comics Journal. Overseas students welcome. Payment plans available - I will work with you to make it affordable. Thanks! -Frank Santoro
Professor Frank shows you how it’s done.
I was in the first round of this class and it tuned my work up BIG TIME.
I strongly encourage makers of all levels to apply.
Source: comicsworkbook
Looking to get some reading done this weekend? To coincide with free comic book day, Trip City put a whole smattering of great creator owned comic strips (including my own) in one place for your reading pleasure. Comics are free to read at Trip City as always, so head on over and check it out! I recommend Dean Haspiel’s Billy Dogma and Red Hook, as well as Seth Kushner’s Schmuck, and Noah Van Sciver’s Sketchbook Comix for starters. Also, if you enjoy the work, please let your friends know about us too!
Source: franksantoro
Illustration by Mark Schultz from Edgar Rice Burroughs’ novel, The Mastermind of Mars.
Dude has probably THE MEANEST split-brush game of anyone working right now— incredible stuff.
Source: thebristolboard
DJ Teck’s Morning Attack, a short by Katsuhiro Otomo, published last year in Geijutsu Shincho Magazine. It reminds me a lot of his beginning and ending shorts in Robot Carnival. I love the colors, and realize there aren’t many Otomo comics I’ve seen that were made with color in mind. Just pouring gasoline on the fire under my butt to see his new Shonen Jump longform series, whenever that actually starts up.
A new(ish) Otomo strip?
IN COLOR?!?!?!
Today’s a good day.
(via otomblr)
Source: popjellyfish
Automatic dry-brush drawing on hand-made paper.